Tuesday 30 November 2010

Mask

With the help of James Ward we have a mask to use for our remake of the Reptile. He used some Acrylic  paint and paper mache to make the mask. For the eyes we had to wooden semi-spheres and melted plastic onto them to make the eyes look realistic.

Friday 26 November 2010

Schedule

Monday: Filming

Tuesday: Filming and Editing

Wednesday: Final Editing

Final Storyboard

Our final storyboard was scanned in and we have 12 images to show what it looks like, it is similar to the previous key frames except this is more detailed. This is what some parts of the storyboard looked like.






Wednesday 24 November 2010

Animatic

Me and Scott did an animatic of our 9 key frames. We used Adobe after effects to make it look professional. Scott was patient with me as he taught me how to use After Effects but I soon picked it up. Alot of it is about putting key frames in the right place and the effects we used include scaling, position and motion blur.

http://www.vimeo.com/17149886

Above is a link to what the animatic turned out like.

Tuesday 23 November 2010

Key frames for Animatic





We have cut out each individual key frame for an animatic of our project, we simply used the box tool on photoshop to box each individual frame, paste them onto a new canvas and then save it as a new image. Some of them looked like this.

Rough Cut Feedback


We presented our rough cut video to our colleagues and were able to get some feedback which will take into consideration.
  • “The video needs to be me ‘Reptileish’
We received positive feedback for the clean editing and special effects we used in the video however, the footage that we had wasn’t very symbolic of the film we were trying to replicate. It was suggested that we need to incorporate more reptile symbolism or somehow suggest (other than the use of the film title) that the film is about a reptile. A popular suggestion was to stylize the credits for example, we could give the credits a scaly green texture or have them animate to move like a snake across the screen. This is something we will explore more in-depth further down the production process.
  • “How will the scenes be lit, what time of day will the film take place?”
Our test footage was done outside during the day and we plan to film the final piece during the day. This question was asked because in the original film the opening sequence was very dark and gloomy and ours seemed to be very bright. We plan for the second half of the sequence to be filmed in-doors and we plan to make that sequence darker and more eery in preparation for the reptile attack.
  • “The attack scene should be very dramatic”
It was noted that our sequence implied that there would be a slow build up of tension - this is true. We were recommended by the teacher if a slow build up was what were aiming for then we would need to make the attack scene as dramatic as possible to justify for the build up.
  • “How will you portray the point of view of the snake?”
In the second half of the opening sequence when the main character is looking around the house for his friend, we are going to have several low-angeled chanted shots looking up and watching him. This will obviously be the point of view of the snake. When it comes to the attack scene, we are going to have the camera on the floor looking around a corner up at the main character. We will move the camera to the character as if the snake is pouncing towards his neck.
  • “You need to consider how you will be filming the phone in the sequence”
We showed a brief shot the character’s phone. We were planning that the character would receive a text from his friend telling to go to his house (we also planned that previous texts in the conversation would be credits for the film). However the text on the phone screen was quite difficult to read in the sunlight. It was suggested that we look for another phone to use that would be easier to read on camera. Another solution we could try is having the character walk into a darker area and placing the phone down on a surface to read it (as opposed to filming the phone in the character’s hand). 

10 Key Frames



When we first started the project we had to do some key frames which showed the important parts of our scene. In order ours was of a person walking through the park, being suspicious because they think someones behind them, getting a text from their friend saying "Come to My house", being curious about the text and wondering what they want, Going to the friends house, looking for them inside the house, going into the kitchen and looking round, standing in the doorway of the kitchen turning round and screaming as they get bitten by the reptile.

Friday 19 November 2010

Filming

Me and Scott started some filming today for our remake of The Reptile. we filmed the opening where I was to walk through a park and receive a text message saying "Meet me at mine..". It looked like this.


We still have to work out how we're going to do the credits but some of them are going to be shown during the opening sequence. Any more that we can't fit in will be shown after the sequence. We are hopefully going to sort out some after effects to use also which should be good.

Thursday 11 November 2010

Credits List - Title Sequence

1. A Warner Bros. Production presents

2. A Universal Film

3. (Cast 1) Ray Liotta

4. (Cast 2) Joaquin Phoenix

5. (Cast 3) Sarah Michelle Gellar

6. Costume Design by Ngila Dickson

7. Art Direction by Kim Sinclair

8. Production Design by James Peter Blackmon

9. Casting by Gail Stevens

10. Film Editing by Richard. A. Harris

11. Cinematography by Danny Cohen

12. Original Music by Christian Jones

13. Produced by Barry Sonnenfeld

14. Directed by Ivan Reitman

15. (Main Title) The Reptile

Wednesday 10 November 2010

Reptile Moodboard

We have done a moodboard for our remake of "The Reptile". The images I chose to put on there all relate to the film in different ways. The Coffin and the grim reaper relate to the film because throiughout the film there is alot of death. The snake is on there for obvious reasons that the monster is a snake. The picture of the yellow field and the trees relates to the setting of the film. It is set in the Cornish countryside. The old medicine relates to two of the main charaters, Dr. Harry Spalding and Dr. Franklyn who are both medical doctors. The woman biting her knee relates to the monster because that's how he kills its prey, by biting them on the neck.

Monday 8 November 2010

The Reptile Synopsis

The film "The Reptile" is by Hammer film productions that myself and Scott are making a remake of.

The film takes place in Cornwall where supposedly many of the locals are dying from "The Black Death". One of the main characters Dr. Harry Spalding and his wife arrive in a local village and stay at a cottage that Dr.Spalding inherited. They get woken up one night by a character known as "Mad Peter". Dr.Spalding had already met mad Peter when he arrived in the village. When they get woken up by Mad Peter he's got green skin and dies. They alert the local doctor but he doesn't do anything about it. In time Dr.Spaldinng finds out that the local doctor is part of the "Snake Cult" which just want to make the world suffer.

Friday 5 November 2010

The History of Hammer Horror Films

Horror films have changed over the years depending on what scares people at the time. For example, global warming, hooded youth etc. In the 1950's and 60's people were frightened by monsters like the monster in Frankenstein and Count Dracula.

www.backfromthedead.posterous.com

Hammer Horror films were famous for making horror films in the 50's, 60's, 70's such as The Curse of Frankenstein (Peter Cushing as shown in the picture to the right as Frankenstein) and Dracula (Christopher Lee as Dracula as shown on the right). They also made Sci-Fi, Thrillers, Film Noir and Comedies. Hammer was established in 1934 and was partner with Warner Bros. William Hinds formed Hammer Productions. Hammer made most of it's money through distribution of it's films. Some of Hammer's early successes were The Curse of Frankenstein, Dracula and The Mummy.

The Curse of Frankenstein was originally a novel by Mary Shelley and was The first film in colour for Hammer films. It starred both Christopher Lee and Peter Cushing and had worldwide success which led to several sequels.

http://www.youtube.com/watch?v=_xIGil528gA

Dracula was released in 1958. It was directed by Terrance Fisher and also stars Christopher Lee and Peter Cushing.

http://www.youtube.com/watch?v=YktZAMOvZoc

Hammer was based in the UK in London. In the 1970's Hammer became less successful because horror films by other new directors were becoming more artful and subtly horrific. The studio struggled to keep it's place in the market. A main director who was causing problems for Hammer was Roman Polanski.

In 2003 the studio announced plans to work with an australian company called "Pictures in Paradise" to develop new horror films for the DVD and cinema market.

On May 10th 2007 it was announced that Dutch producer John De Mol (As shown on the right) had purchased the Hammer film rights. They began shooting a new horror/thriller film in 2008 in Ireland. In 2009 it was announced that Hammer films and ALliance films were making a remake of "The Woman in Black" scheduled for a 2011 release.

Thursday 4 November 2010

Kyle Cooper: Top Tips and Revolutionary Titles

From watching a 2-part interview with Kyle Cooper some of the tips I picked up were as follows:

- Don't be afraid to experiment with different things. Cooper mentioned about how he wonders what would happen if he shoots things differently for example through some broken glass.

- Don't make too much of your work digital. Cooper says how he's not completely against the idea of having digital effects but it looks better to keep as natural as possible.

- Sometimes it's best to keep it simple. Cooper says how his  favorite title sequence was from "Dead Zone" (1983). I can see why this set of titles is his personal favorite as they are very simple but at the same time very effective.

Se7en Titles


First off I think the opening titles to the film "Se7en" are effective because of the effects that are used. Kyle Cooper uses an effect to show the text vibrating when the actors and actresses names come in. This makes it hard for the viewer to read which could be seen as quite strange to some viewers. Secondly I think the changes inbetween the videos and the text are interesting because they are so sudden. This might be to try and  make the viewer scared because it catches you offguard. The titles occasionally have drops of blood in them. This is a warning to the viewer of what's to come and could make them aware that the film contains horror and gore. Similarly there is flashes of red which could suggest blood to the viewer. The music played in the opening titles is awkward and uncomfortable for the viewer. It doesn't really make sense musically and doesn't let the viewer feel relaxed about coming to watch this film. Throughout the opening titles there is someone with a needle sewing up a book. It looks like they're causing pain to themselves with the needle because it slowly is coming away from their finger and there is the occasional drop of blood. The opening titles are very detailed. All the recordings that are taken are close-ups of either the book that the person is sewing or of the persons hands. Overall the title sequence is very interesting and very unique.

Preliminary Exercise

Today we recorded our preliminary exercise and edited it on Final Cut. I was in a group with Amber, Ita and Sophie. Our idea was to record a job interview and I was interviewing Ita.

We learnt how to use the 180 degree rule which is when recording a conversation between two people you have to imagine there is a straight line down middle of the two people. The camera must stay on either the left or the right of the imaginary line to prevent the people looking like they've been flipped round. You start buy filming the conversation from over the shoulder of one of the two people and then film it from over the other persons  shoulder.

We also learnt about Match-On-Action. We used this when we were filming Ita walking through the door into the interview room. What we did was record Ita going up to the door and opening the door handle and then went inside the room and recorded Ita walking in from inside. This way it looks like we have managed to record Ita only once but from two different angles.












Wednesday 3 November 2010

Fears

My Fears


Some of the things I am scared of are..

Horses
Big Dogs
Heights
Voldemort
People who try to be hard and intimidating and can get away with it.

Modern Day Fears


Some of the things that people are scared of in the modern day are youths who where hoodies. This is because they are stereotyped to be violent and to carry weapons.

Film Pitch


The pitch for our film was that a class was in a college and as they go out for a break one person in particular doesn't return, at the time nothing is thought of it but gradually more and more people go missing. One girl tries to investigate what is happening when she finds the jumper of one of the people who has gone missing. When she finds it the thing that has been taking everyone tries to get this girl but she causes a big chase scene throughout most of the film until finally she gets rescued by someone at the end of the film.